1-+ 1 ~:haptr,ztroduction HEXATONICS llexatonic scales are six note scales. One way to create a hexatonic scale is to combine the notes of two. I ordered Jerry Bergonzi’s Hexatonics book, the seventh volume in his Inside Improvisation series. I had looked through some of his previous. Jerry Bergonzi: INSIDE IMPROVISATION SERIES VOLUME 7: HEXATONICS, Paperback Book & CD Package, All Instruments, and thousands more titles.
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The chords in parenthesis are optional as they create more of an altered sound.
Inside Improvisation Volume 7 – Hexatonics
Chord G 7 sus G t. I 5 9 5 9 Try progressions 1 and 2 with this hexatonic, too. Jerry Bergonzi vol 4 – Melodic-Rhythms Education. Try antiCipating the dominant chord by playing the hexatonic on the preceding minor 7 chord. G-7 7 Hexatonics in parenthesis create a higher degree of tension. Triad pair are basically the same thing as hexatonic scales.
I had looked through some of his previous books but this one looked the interesting to me. Choosing just a few of these melodies and playing them in all keys is more beneficial than trying play too many and not really getting hexwtonics down. As with the other books in this series, there is a play along CD to tryout all of these diflerent sounds.
Rather than practice all of them, select a few, and play them in all keys in order to gain flexibility with these hexatonics. G ‘ F-7 Bi: Pianists often use Hexatonics by stacking triads to create unusual chord voicings. What follows is a list of different melodies derived from this hexatonic scale. He doesn’t write about why he presents the material in a certain order.
Casa Valdez Studios: Jerry Bergonzi’s approach to Hexatonics
Practicing hexatonics is great way to improve technique and it’s also great for ear training. Die D triad over C triad The reason the D triad is over the e triad bergozi because it is more consonant sounding than e triad over the D triad. As already stated, a hexatonic scale can be derived by combining the notes of two triads that do not share any common tones.
I do plan to work on more of them soon. Campbell’s approach in my Triad Pairs post. D7l19 B ‘ D G7 Ct.
Jerry Bergonzi Vol 7 –
B-jC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. We improvise in” the sound of the voicing and using hexatonic voicings and lines can lend avery contemporary sound. I fully describe Mr. Hans-jorg Rudiger for suggestions and putting it all together.
A hexatonic scale is simply a scale of six notes, though these six notes are usually derived from two different mutually exclusive triads. Triad Pairs for Jazz: Here are some great links to free sax solo transcriptions- Sax solos link Lucas Pickford’s transcriptions Charles McNeal’s tra We improvise “in” the sound of the voicing and using hexatonic voicings and lines can lend a very contemporary sound.
By limiting note selection to six tones each triad consisting of threea more concise sonority is created. So, when the same hexatonic in one place is referred to as “G: When the e triad is voiced on top it creates minor ninth intervals which are dissonant.
Jerry Bergonzi Vol 5 – Thesaurus of Education. D jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. Select a few to practice and play in all keys keeping in mind what chords they may fit over. D triad over e triad can be written and played in any inversion, for example: I have already been able to start applying some of the principles I’ve learned in just the first four chapters.
For example, when playing the over a A,7 chord, it sounds the major 7 as well as the ,7, which will work in certain circumstances. Try integrating this approach with other melodic materiaL:: The book starts out with a chapter dealing with a Major triad over a Major triad a whole step apart. The motion defines the context.
On an F7 chord, it sounds the: Berklee Jazz Harmony Have each hexatonic 1 bar,2 bars or 4 bars each. Jazz Saxophone solo transcriptions.